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| All the greatest elements of each of the previous 18 Bond films compressed into two hours seem to have been lifted and put into one of the very best of the Bond series. Forget doubts about Pierce Brosnan as Bond. Dont worry about reports that the film-makers want to put more emphasis on character. From the first frame you will be glued to your seat.
The plot constantly twists and surprises as no one is who he or she seems. The stunts are amazing, the dialogue occasionally too cheesy but the performances are perfect, although Carlyle often seems to have been tacked on to the plot and feels underused. Very minor quibbles for what will be a classic in the series. Terry Richards |
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| When Jacob Carter is captured by a Goauld named Sokar who has modeled himself after the Devil, SG-1 goes to a recreation of Hell in an attempt to break him out.
Although much of what happens here is set-up and no pay-off, it moves along quickly enough to hold the attention of the viewer despite the fact that there is a lot of dialogue and little action for much of the first half of the episode. JR Bourne is finally given some action in his usually background role of Martouf, but this is Amanda Tappings show as she is put through the unpleasantness of Jolinars past experiences and takes the lead in trying to save the team from their prison. Finally, although the cliffhanger is not actually a total shock, it certainly opens up some questions to be answered in part two, the first of which is: whose side is the person in question on now? Paul Spragg |
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Reviews © Visual Imagination Ltd 1999. Not for reproduction. |
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