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| Hannibal | Rated: 18 | |
The MovieScott's filming of Thomas Harris's The Silence of the Lambs follow-up could almost be re-titled 'The Talented Dr Lecter', since this operatic, leisurely-paced movie is closer in content to Anthony Minghella's psychological thriller than either of the previous Hannibal-related adaptations. Polished, solidly performed and extremely watchable, although bereft of much fear or suspense, this sees Lecter living with a new identity in Florence, and sought by hideously disfigured millionaire Mason Verger (Oldman at an all-time-ham-high). Hopkins is good fun as a slightly camper killer than previous and
Moore makes a reasonable stab at Clarice Starling's single-minded strength, but
the movie is quietly stolen by Giancarlo Giannini as a very edgy Italian
detective who cottons on. Both the black humour-laced dialogue and one
outrageous gore effect are audience-pleasers, though this oddly romanticized
film may prove too subdued for those expecting a heart-pounding frightfest.
The ExtrasAlong with David Fincher, Scott's association with a DVD release is fast becoming a seal of quality, and this two-disc set rivals Gladiator for breadth of features and quality of presentation. The first disc features a high-pedigree transfer, with both John Mathieson's handsome photography and Hans Zimmer's evocative score impressively reproduced (also in DTS). Scott's highly-detailed Commentary proves invaluable, as he intelligently analyzes character motivations, plot developments and the problems of translating a 600-word novel into a 130-minute film. Amongst his insightful observations are that "action sequences are a cheap solution to occupy the audience's attention" with character scenes far harder to do, and surprisingly, for a man whose films have been criticised of form over content, he seems uninterested in the film's visual approach. Disc two is quite something, as the five Featurettes and 14 Deleted Scenes with optional commentary (see sidebar) alone total nearly two hours. The interview-led Development section covers the bringing together of the cast and director and is notable for its candour (Hopkins felt the book was "over-reaching and so bizarre") and for everyone's different interpretations of the film's themes. Production encapsulates numerous areas, from the Florence press conference announcing the project, to the training of the 'carnivorous' hogs and despite a haphazard structure, few stones are left unturned. Music has one of Zimmer's orchestral tracks being recorded and the composer speaking about his relationship with Scott, which will be chiefly of interest for soundtrack aficionados. Special Make-up Effects does exactly what it says on the tin, revealing the animatronic tricks used to do unpleasant things to Verger's minions and one of the main cast members, as well as their "non-zombie" aims when creating the Verger look. Last and weakest is Reaction, with unexciting footage of celebs at screenings and the audience response to the 'dinner party' scene. That under-used facility, the 'angle' button, comes into play in three user-friendly vignettes. There's Anatomy of a Shoot-out (very dull until it kicks-off six minutes in), Ridleygrams (Scott discusses his own storyboards, matched to the finished product), and Title Design (multiple combinations of video and audio for the opening sequence, plus plenty of pigeons). Less entertaining to access, but no less interesting, are two Trailers, 19 TV Spots, over 60 Poster Concepts (the simplest got used) and several hundred photos covering just about every possible area of interest. An eight-course home cinema banquet. Liver, anyone? Jason Caro |
Dr Lecter:
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DVD OF THE MONTH |
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| Credits | ||
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| Highlights
Chapter 29 |
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Deleted Scenes Highlights... Return to the Dungeon "Dear Clarice..." Il Mostro Case Lecter in Florence Coveting Clarice Alternate Ending |
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| from Ultimate DVD #21 | ||
| Finding Forrester | Rated: 12 | |
The MovieBlack teenager Jamal Wallace (Brown) wants to be a writer but hides his prodigious abilities from his basketball-playing peers. For a dare, the boy breaks into the apartment of a sinister loner, but is surprised during the raid and drops his rucksack. The bag is later returned and Jamal finds that his writing notebooks have been read and critiqued. The recluse is writer William Forrester (Connery) who disappeared into obscurity after his first and only book won the Pulitzer prize. The writer recognizes the boy's talent and befriends Jamal, encouraging him to accept a private school scholarship. Through their relationship, both lives are changed. This is a dream role for Connery as the eccentric literary lion with a heart of gold, and he works well with talented newcomer Brown. The trouble with the film is its coziness - all problems are solved either by Forrester's genius or Jamal's basketball-playing abilities. Director Gus Van Sant creates a nice sense of mystery in the early
scenes, and brings a coy eroticism to the basketball sequences, but it's
unclear who the film is pitched at. The cultural divide between elderly
Scotsman and black teen is barely addressed, as is any suggestion of
homosexuality in the relationship, or how Jamal can still relate to his
basketball buddies when he has gone upstate to school. Connery and Brown are
always watchable, however, making
The ExtrasFeatured are two Documentaries - one 'behind-the-scenes' and another
about the providential casting of the young lead - both are sickly examples of
press-kit puffery. Also included are two deleted choir seque David Miller |
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| Credits | ||
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Highlight Chapter 23 |
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| This review from Ultimate DVD #21 | ||
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