RON
HOWARD:
"It's the first time I've done a film about a person. I usually do films
about situations and I try to pump as much character as I can into them. You
can't apply a formula to this movie. It's a little bolder than I've been
structurally in the past. There's definitely a level of the complexity in this
drama."
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RUSSELL CROWE (John
Nash):
"I read a large amount of scripts and I only make a small amount of
movies. What attracted me to doing this script is not only that you had what I
thought was a great personal and human story of triumphing against the odds, it
was a magnificent romance that spanned five decades and, in reality, is still
in existence. "
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RON HOWARD:
"Russell doesn't walk
like John Nash, doesn't sound like John Nash, doesn't behave like John Nash,
but there were a few things that I observed in the early conversations and
meetings I had with Russell that were like Nash. One was that sense of self,
that 'I am who I am, and I'm going to behave as I behave come hell or high
water.' Nash couldn't change to accommodate; some people thought he was an
extraordinary genius and a fascinating person to spend time with, and others
found him inaccessible and even rude. Russell also has this charisma. The other
thing that I felt from Russell initially was a very aggressive, ambitious
intellect, and that's something you can't fake, it's not a matter of lighting
him a little bit better! Either the wheels are turning or they're not!"
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JENNIFER CONNELLY
(Alicia Nash):
"I auditioned for this movie. I met with Ron and talked to him
first and then I came in and read scenes with Russell. I can't even remember
what scenes we did, but by the time I left there were tissues all over the
floor and my script pages were everywhere. It was an explosive experience just
working on the scenes, it felt like an exploration even in the audition working
with Russell and Ron."
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BRIAN GRAZER:
"I think this is Ron's most mature film and his best work. He doesn't have
hyped-up moments and it's not warm and fuzzy, if anything it's a darker and
colder story than he's ever told. And it's shot in a way that makes it more
stark even though it's cinematically engaging, interesting and exciting."
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RUSSELL
CROWE:
"Ron Howard has everybody in the world fooled that he's some kind of
simple bloke. He's one of the most intense filmmakers I've ever worked with,
but he does it in a gentle fashion and that's because he's organized and he
knows what he wants, and that's a great platform for me to start working
from."
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