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MARJANE SATRAPI: “It’s not a documentary about my life. From the second you write a script, and then you make it into a movie, it becomes fiction, so I see it as a character, I see it from afar, not only with the story, but even with myself.”
VINCENT PARONNAUD: “We knew we had to keep the energy of the novels. We couldn’t be content with filming one panel after another. In fact our sources were live-action films. The usual codes in animation didn’t seem to fit, so I used movie-style editing, with a great many jump-cuts. Even from an aesthetic viewpoint, we drew our sources from cinematic techniques.”
CHIARA MASTROIANNI (voice of Marjane as a teenager and adult): “I have read all four Persepolis novels and loved them. The combination of design, humor, hindsight and self-mockery, with no trace of self-indulgence or victimization was irresistible. I’d been thinking about doing a voice in an animated feature for quite some time, so when my mother [Catherine Deneuve] mentioned Persepolis to me, I called Marjane and asked her to do a voice test.”
SATRAPI: “It’s a very personal point of view. Of course, I’m not a historian, and I’m not a sociologist and I’m not a politician, but I’m a person who is born in a place in a certain time, and I have felt things, and the film is an expression of what I have felt. That’s why I say it’s not a reality show about my life, it’s more about the feeling, the search of the truth, the questioning of what has happened, that is much more important to me. I’m honest when I describe myself and I don’t make myself a hero. I’m honest when I say that I have been mean. I don’t lie about my thinking.”
MASTROIANNI: “In the beginning it was a bit stressful [playing Marjane]. I imagine it must have been strange for her too after having written the books by herself, she suddenly finds strangers interfering with her work. I could tell that certain scenes reminded her of emotional memories, and sometimes I found that interesting. Yet, I think she toned them down, both in the books and in the film.”
SATRAPI on the movie being France’s official entry for the Academy Awards: “I’m very happy, especially to be the French entry, it shows that you can be French with another background. They don’t have this problem in America, because everybody comes from somewhere, but it’s nice that in Europe you can have this feeling too.”
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