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Dinner-dinner-dinner-dinner Angel! Given the opening few minutes of the series début episode City of..., you might be forgiven in thinking that Tim Burtons filmic hero had finally received the small-screen treatment he deserved. Except that with the arrival of Irish half-demon Doyle, complete with an agenda for Angel from the powers-that-be (which might be a reference to the hokey ending of Buffy's Christmassy Season Three episode Amends), the series is about to change into something a lot more obvious. Complete the set by introducing a seen-it-all career policewoman (Detective Kate Lockley, introduced in Lonely Hearts) and you find yourself in a slightly weird cop show rather than anything a little more original. Under Doyles guidance, Angel seeks out people in need (almost always women makes you wonder where the troubled guys of LA go to) for the main reason that hes supposed to interact with them; the one thing hes clearly unable to do. Its this human interest that divides Angel and Batman, and you cant help thinking that without the human baggage, the caped crusader is actually more interesting. In attempting to create a personality for its hero, Angel has to reduce itself to a very limited damsel-in-distress plot every week. Still, theres a lot of value stored up in the Buffy franchise, and how appropriate that Angel is able to suck some lifeblood from Buffy and friends from time to time. Probably the two best episodes of the series so far have been those labelled by the gravely-voiced continuity announcer as this weeks crossover event special extravaganza (more or less). In both cases, In the Dark and I Will Remember You arrange temporary free transfers of significant characters from Buffy. Spike is at his most hilarious and villainous in the former episode, immediately stamping his credentials on In the Dark with a hilarious overdubbed rooftop commentary as he watches Angel below him.I Will Remember You has Buffy arriving in LA to discuss some unresolved issues with the Cold One, and in the process David Boreanaz (who can act, as this episode shows: hes just rarely allowed to) and Sarah Michelle Gellar provide one of the strongest episodes of either Buffy series... Ian Atkins |
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Image © Sue Schneider / Moonglow Pictures |
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